A close look at recent work — brand systems, editorial, and campaigns built with care.
A complete visual identity for Mosaic Church, a community-centered congregation in Mableton, Georgia. The system is built around a single idea — many individuals, one community — expressed through a mosaic-patterned heart mark, a grounded yet warm palette, and a confident type system that balances clarity with expression.
An ongoing generative study in line, repetition, and chromatic decay. Each composition begins as a single curve, then iterates — rotating, scaling, and shifting in hue — until the accumulated geometry collapses into something between a fractal and a flame. The work explores how mathematical repetition can feel emotional rather than mechanical.
CityBar is a mobile hospitality concept built into a custom e-Tuk vehicle, serving the City Springs district in Sandy Springs, Georgia. The identity pairs a refined classical wordmark with loose, expressive watercolor washes — a deliberate tension between civic permanence and the easy, atmospheric feel of an open-air bar.
An apparel capsule built around the OpenShift brand mark — a fragmented circular glyph that reads as both motion and modularity. The collection translates the digital identity into wearable surfaces: oversized tonal prints on heavyweight fleece, small left-chest hits on tees, and full-front statement applications in signature red.
A series of large-format posters spanning Red Hat's product portfolio and flagship events. The product set — Red Hat AI, Ansible Automation Platform, and OpenShift — uses isometric 3D compositions, a deep black canvas, and signature red as both subject and accent. The event work for Red Hat Summit and AnsibleFest leans the other direction: playful, dimensional illustration with soft clouds and inflated geometry, signaling a more human, exploratory tone.